Approaching Shakespeare
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Approaching Shakespeare
Each lecture in this series focuses on a single play by Shakespeare, and employs a range of different approaches to try to understand a central critical question about it. Rather than providing overarching readings or interpretations, the series aims to show the variety of different ways we might un...
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Love's Labour's Lost
Emma Smith continues her Approaching Shakespeare series with a lecture on the play Love's Labour's Lost.
The Two Gentlemen of Verona
Professor Emma Smith gives the last of her 2017 Shakespeare lectures on his early comedy, Two Gentlemen of Verona.
Henry VI, Part 2
Professor Emma Smith continues her Approaching Shakespeare series with a 2017 lecture on the early history play, Henry VI, Part 2.
The Merry Wives of Windsor
Professor Emma Smith lectures on Shakespeare’s The Merry Wives of Windsor.
All's Well That Ends Well
Professor Emma Smith lectures on Shakespeare’s comedy All's Well That Ends Well.
Cymbeline
Professor Emma Smith continues her Approaching Shakespeare series with a lecture on one of Shakespeare’s later plays, Cymbeline.
Timon of Athens
Emma Smith finishes her Approaching Shakespeare series with a lecture on the play Timon of Athens.
Julius Caesar
This lecture on Julius Caesar discusses structure, tone, and politics by focusing on the cameo scene with Cinna the Poet.
Romeo and Juliet
This lecture on Romeo and Juliet tackles the issue of the spoiler-chorus, in an already-too-familiar play. This podcast is suitable for school and col...
Coriolanus
This lecture takes up a detail from Shakespeare’s late Roman tragedy Coriolanus to ask about the representation of character, the use of sources and t...
The Merchant of Venice
This lecture on The Merchant of Venice discusses the ways the play's personal relationships are shaped by models of financial transaction, using the c...
Taming of the Shrew
Emma Smith uses evidence of early reception and from more recent productions to discuss the question of whether Katherine is tamed at the end of the p...
A Midsummer Night's Dream
This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and mor...
Much Ado About Nothing
Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John, drawing on gender and performance criticism to think...
Hamlet
The fact that father and son share the same name in Hamlet is used to investigate the play's nostalgia, drawing on biographical criticism and the reli...
As You Like It
Asking 'what happens in As You Like It', this lecture considers the play's dramatic structure and its ambiguous use of pastoral, drawing on performanc...
King Lear
Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King Lear, this sixteenth Approaching Shakespeare lecture...
King John
At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the Approaching Shakespeare series looks at the ways history and...
Pericles, Prince of Tyre
Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the Approaching Shakespeare series shows some of its self-cons...
Richard III
In this thirteenth lecture in the Approaching Shakespeare series the focus is on the inevitability of the ending of Richard III: does the play endorse...
The Comedy of Errors
Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play's seri...
Henry IV part 1
Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John Falstaff and investigates his role in Henry IV part 1....
The Tempest
That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest: this tenth Approaching Shakespeare lecture asks wh...
Antony and Cleopatra
What kind of tragedy is this play, with its two central figures rather than a singular hero? The ninth lecture in the Approaching Shakespeare series t...
Richard II
Lecture eight in the Approaching Shakespeare series asks the question that structures Richard II: does the play suggest Henry Bolingbroke's overthrow...
Twelfth Night
The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio - and uses his presence to open up questions of sexual...
Titus Andronicus
Focusing in detail on one particular scene, and on critical responses to it, this sixth Approaching Shakespeare lecture on Titus Andronicus deals with...
The Winter's Tale
How we can make sense of a play that veers from tragedy to comedy and stretches credulity in its conclusion? That's the topic for this fifth Approachi...
Macbeth
In this fourth Approaching Shakespeare lecture the question is one of agency: who or what makes happen the things that happen in Macbeth?
Measure for Measure
The third Approaching Shakespeare lecture, on Measure for Measure, focuses on the vexed question of this uncomic comedy's genre.
Henry V
The second lecture in the Approaching Shakespeare series looks at King Henry V, and asks whether his presentation in the play is entirely positive.
Othello
First in Emma Smith's Approaching Shakespeare lecture series; looking at the central question of race and its significance in the play.